perhaps/We
This page avoids major plot turns, twists, and ending details. It’s designed to help first-time viewers decide if this movie is right for them.What counts as a spoiler can vary by viewer.
"Like a world seen in sleep - a paradox of wakefulness and delirium, part lucid dream, part sunshine through sleep-heavy lids - the treated footage in Solomon Nagler's perhaps/We follows a cycle, with motifs of the ever-present twilight in a steel-blue Warsaw set against what could be (but probably isn't) archive footage, of an old woman asleep on a day-bed and an overgrown, forgotten Jewish Cemetery. Found sounds and field recordings join scratched records to create a soundtrack as plaintive as Nagler's manipulated film stock, a lone voice introducing and concluding the film: I float/ Above the world/ In my sleep/ In my dreams / And every time I dream, I loose half my body. A rumination on loss and memory, or memories half-forgotten, whilst perhaps/We isn't figurative, it offers and account of humanity, peopled by ghosts - undoubtedly the ghosts of the Holocaust: mournful yet never peevish, never mawkish." - Adam Pugh, Programmer Aurora Film Festival, Norwich England.